This groundbreaking book of literary detective work alters our understanding of T. S. Eliot's poetic masterpiece, The Waste Land. Lawrence Rainey not only resolves longstanding mysteries surrounding the composition of the poem he also overturns traditional interpretations of the poem that have prevailed for more than eighty years. He shines new light on Eliot's greatest achievement and on the poem's place in the modern canon. Far from the austere and sober monument to neoclassicism that admirers have praised, The Waste Land turns out to be something quite different: something grim and wild, unruly and intractable, violent and shocking and radically indeterminate, yet also deeply compassionate. Rainey looks at how Eliot went about writing the poem and at the sequence in which he composed the parts. Arriving at new insights into the poet's intentions, Rainey unsettles tradition-bound views of the poem and shows us that The Waste Land is even stranger and more startling than we knew.
Claes argues that The Waste Land by T.S. Eliot is actually indicative of infertility in his marriage. While also cracking several riddles that Eliot put into the poem, this book provides ample evidence that the work is auto-biographical in nature. Claes provides line-by-line analysis of the poem, and the introduction presents six interpretive keys facilitating a systematic decoding. Textual arrangement, thematic recurrence, metaphorical syncretism, mythical method, allegorical representation, and inter-textual reference may help the reader to penetrate the multiple mysteries of the poem.