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Flotsam / David Wiesner.

Wiesner, David, (author.).
Book Book (©2006.)
Description: 39 unnumbered pages : color illustrations ; 24 x 30 cm
Publisher: New York : Clarion Books,
41 of 45 copies available at NOBLE (All Libraries).
0 current holds with 45 total copies.
Library Location Call Number Status Due Date
Beverly Farms Children's Picture Books Child Picture Book WIE (Text to Phone) Available -
Beverly Main Children's Picture Books Child Picture Book WIE (Text to Phone) Checked out 06/29/2018
Danvers Children's Picture Books JJ / Wiesner / Caldecott Award (Text to Phone) Available -
Danvers Children's Picture Books JJ / Wiesner / Caldecott Award (Text to Phone) Available -
Endicott College Juvenile Collection Juv Fic Wiesner (Text to Phone) Available -
Everett - Parlin Memorial Children's Picture Books E/Wiesner (Text to Phone) Available -
Everett - Parlin Memorial Children's Picture Books E/Wiesner (Text to Phone) Available -
Everett - Shute Memorial Children's Picture Books E/Wiesner (Text to Phone) Available -
Everett - Shute Memorial Children's Picture Books E/Wiesner (Text to Phone) Available -
Gloucester Children's Caldecott Shelf J/E/ Wiesner (Caldecott Shelf) (Text to Phone) Available -
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  • Awards: Caldecott Medal, 2007
    • ISBN: 1428702067 (BWI bdg.)
    • ISBN: 0618194576 (hc.)
    General Note: Art techniques used: Vibrant yet detailed watercolor images with a cinematic style.
    Summary: When a young boy discovers a camera on the beach and develops the film, he finds with his microscope many layers of pictures within the photographs.
    Citation: Wiesner, David. "Flotsam." New York : Clarion Books,
    • Booklist Reviews : Booklist Reviews 2006 August #1
      /*Starred Review*/ PreS-Gr. 2. As in his Caldecott Medal Book Tuesday (1991), Wiesner offers another exceptional, wordless picture book that finds wild magic in quiet, everyday settings. At the seaside, a boy holds a magnifying glass up to a flailing hermit crab; binoculars and a microscope lay nearby. The array of lenses signals the shifting viewpoints to come, and in the following panels, the boy discovers an old-fashioned camera, film intact. A trip to the photo store produces astonishing pictures: an octopus in an armchair holding story hour in a deep-sea parlor; tiny, green alien tourists peering at sea horses. There are portraits of children around the world and through the ages, each child holding another child's photo. After snapping his own image, the boy returns the camera to the sea, where it's carried on a journey to another child. Children may initially puzzle, along with the boy, over the mechanics of the camera and the connections between the photographed portraits. When closely observed, however, the masterful watercolors and ingeniously layered perspectives create a clear narrative, and viewers will eagerly fill in the story's wordless spaces with their own imagined story lines. Like Chris Van Allsburg's books and Wiesner's previous works, this visual wonder invites us to rethink how and what we see, out in the world and in our mind's eye. ((Reviewed August 2006)) Copyright 2006 Booklist Reviews.
    • Publishers Weekly Reviews : PW Reviews 2006 July #4

      Two-time Caldecott winner Wiesner (Tuesday ; The Three Pigs ) crafts another wordless mystery, this one set on an ordinary beach and under an enchanted sea. A saucerlike fish's eye stares from the exact center of the dust jacket, and the fish's scarlet skin provides a knockout background color. First-timers might not notice what's reflected in its eye, but return visitors will: it's a boxy camera, drifting underwater with a school of slim green fish. In the opening panels, Wiesner pictures another close-up eye, this one belonging to a blond boy viewing a crab through a magnifying glass. Visual devicesâ€"binoculars and a microscope in a plastic bagâ€"rest on a nearby beach towel, suggesting the boy's optical curiosity. After being tossed by a wave, the studious boy finds a barnacle-covered apparatus on the sand (evocatively labeled the "Melville Underwater Camera"). He removes its roll of film and, when he gets the results, readers see another close-up of his wide-open, astonished eye: the photos depict bizarre undersea scenes (nautilus shells with cutout windows, walking starfish-islands, octopi in their living room la Tuesday 's frogs). A lesser fantasist would end the story here, but Wiesner provides a further surprise that connects the curious boy with others like him. Masterfully altering the pace with panel sequences and full-bleed spreads, he fills every inch of the pages with intricate, imaginative watercolor details. New details swim into focus with every rereading of this immensely satisfying excursion. Ages 5-8. (Sept.)

      [Page 56]. Copyright 2006 Reed Business Information.
    • School Library Journal Reviews : SLJ Review 2006 September

      K-Gr 4 A wave deposits an old-fashioned contraption at the feet of an inquisitive young beachcomber. It’s a “Melville underwater camera,” and the excited boy quickly develops the film he finds inside. The photos are amazing: a windup fish, with intricate gears and screwed-on panels, appears in a school with its living counterparts; a fully inflated puffer, outfitted as a hot-air balloon, sails above the water; miniature green aliens kowtow to dour-faced sea horses; and more. The last print depicts a girl, holding a photo of a boy, and so on. As the images become smaller, the protagonist views them through his magnifying glass and then his microscope. The chain of children continues back through time, ending with a sepia image of a turn-of-the-20th-century boy waving from a beach. After photographing himself holding the print, the youngster tosses the camera back into the ocean, where it makes its way to its next recipient. This wordless book’s vivid watercolor paintings have a crisp realism that anchors the elements of fantasy. Shifting perspectives, from close-ups to landscape views, and a layout incorporating broad spreads and boxed sequences, add drama and motion to the storytelling and echo the photographic theme. Filled with inventive details and delightful twists, each snapshot is a tale waiting to be told. Pair this visual adventure with Wiesner’s other works, Chris Van Allsburg’s titles, or Barbara Lehman’s The Red Book (Houghton, 2004) for a mind-bending journey of imagination.Joy Fleishhacker, School Library Journal

      [Page 186]. Copyright 2006 Reed Business Information.

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