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Alice's adventures in Wonderland / by Robert Sabuda.

Sabuda, Robert. (Author).
Book Book (c2003.)
Description: 1 volume (unpaged) : color illustrations ; 27 cm.
Publisher: New York, NY : Little Simon, c2003.
2 of 4 copies available at NOBLE (All Libraries).
0 current holds with 4 total copies.
Library Location Call Number Status Due Date
Everett - Shute Memorial Children's Picture Books j/Carrol (Text to Phone) Checked out 08/23/2018
Merrimack College ERC Stacks (2nd) [ERC] NK8553.5.S23 A62 2003 (Text to Phone) Available -
Montserrat College of Art Special collections Pop-up: Sabuda (Text to Phone) Library Use Only -
Revere Children's Pop-Ups JJ/POPUP/ Sabuda (Text to Phone) Available -

  • Awards: New York Times Children's Book Award, 2003
    • ISBN: 0689847432
    • Edition: 1st ed.
    General Note: Cover title.
    "A pop-up adaptation of Lewis Carroll's original tale."
    New York Times Children's Book Award 2003
    Summary: A little girl falls down a rabbit hole and discovers a world of nonsensical and amusing characters.
    Awards: New York Times Children's Book Award, 2003
    Authors: Carroll, Lewis, 1832-1898 (Added Author).
    Citation: Sabuda, Robert. "Alice's adventures in Wonderland." New York, NY : Little Simon, 2003.
    • Booklist Reviews : Booklist Reviews 2003 November #1
      /*Starred Review*/ Reviewed with J. Otto Seibold's Alice in Pop-Up Wonderland.What is it about Alice? This season two well-known children's book creators have tackled the challenge of shoehorning Alice's Adventures in Wonderland into pop-up books only six spreads long. Larded with dioramas, flaps, and other displays of paste-and-paper bravura, both versions are likely to create buzz among Alice collectors and aficionados of movable books. But the two renditions of the same story could hardly be more different.Seibold's "super dimensional" Alice, which he both designed and illustrated, plunges children into a psychedelic universe straight out of the Jefferson Airplane's "White Rabbit." It features Carroll's original text in brief, cherry-picked excerpts, so the finished product is more a series of interpretive highlights than a thorough presentation of the story, and the rococo, tough-to-decipher typeface adds to the impression that the book is meant to be viewed, not read. Seibold's trademark palette of beiges and pea greens, and a slightly grotesque Alice with Ronald McDonald clown feet, seem to dare readers to prefer Disney's prettiness or Tenniel's Victorian placidity. The pops conceived by Seibold and paper engineer James R. Diaz are a lot of fun. Each spread contains a dizzying array of devices and effects, including a particularly clever rendering of the vanishing Cheshire cat. In the end, however, all of this somehow seems less the point than the book's air of hipster irony.The version by Sabuda, creator of a previous pop-up adaptation of a classic, The Wonderful Wizard of Oz (2000), cleaves more closely to the original; its full-color artwork is "in John Tenniel's classic style," and the abridged text, cleverly tucked into minibooks on each spread, is fairly comprehensive. It's also the more successful of the two, partly because this faithfulness preserves the contrast between the drawing-room politeness of Tenniel's illustrations and the lunacy of Carroll's imaginings. Where the pops in Seibold's version creak open a bit grudgingly and sometimes need a hand from the reader to work properly, Sabuda's don't pop so much as gracefully unfurl--and then collapse upon themselves with jaw-dropping ease that leaves one flipping the pages back and forth in amazement. Few readers will peep through the expandable tube that simulates Alice's tumble down the rabbit hole, or admire the closing spread's intricately die-cut, gravity-defying arc of playing cards, without feeling a bit bereft when the adventure comes to an end. This will very likely come to be seen as the definitive pop-up version of Alice, but it will also further establish Sabuda as the foremost visionary of the genre. ((Reviewed November 1, 2003)) Copyright 2003 Booklist Reviews
    • Publishers Weekly Reviews : PW Reviews 2003 September #4
      Readers will be astonished by every tableau in this pop-up extravaganza. The initial spread explodes into a surprisingly tall green forest, topped by billowing leafy shapes that resemble the Cheshire Cat, Mad Hatter and Queen of Hearts. On the lawn below, in papery 3D, Alice scurries about while the White Rabbit checks his pocket watch. Along the left-hand border of the book, a series of narrow flaps present an adaptation of Lewis Carroll's text. These pages-within-pages feature pop-ups of a green bottle ("Drink me") that shrinks Alice, a cake that makes her a giant and Alice swimming in "the pool of tears that she had wept when she was nine feet high." Finally, an accordion-pleated square in the lower right corner expands into a long, vertical rabbit hole; through its circular window, Alice can be seen falling, as if into a well. And that's only the beginning. Subsequent stages of this moveable feast include a wiggly Alice grown too large for the White Rabbit's house; a Mad Tea Party with shining silver-foil tea service (the March Hare and Mad Hatter dunk the Dormouse in a teapot); and Alice waving her arms as the Queen and her court, transformed to a "pack of cards," arch over her head like a rainbow. Those who know the story can best negotiate this wonderland, for the narrative gets a bit lost in the visual dimensions. Sabuda, who also has adapted The Wonderful Wizard of Oz, borrows from the Tenniel illustrations, but pares them down and drenches them with violet, fuschia, gold and green hues. His paper engineering snaps solidly into place, and elements like the Cheshire Cat's unfolding face are both startling and beautiful; and the pack of cards rising up into the air will have the audience studying how Sabuda created the effect of scattering and tumbling. A Jabberwocky cheer of "O frabjous day! Calloo, callay!" seems appropriate for this salute to Carroll's classic. All ages. (Oct.) Copyright 2003 Reed Business Information.
    • School Library Journal Reviews : SLJ Reviews 2003 November
      K-Gr 6-Sabuda brings Alice's world to life with breathtaking, three-dimensional images that are incredibly imaginative, intricately detailed, and perfectly executed. Carroll's text has been significantly abridged, and although some scenes are a bit choppy, the quickly paced narrative retains the flavor of the original. Sabuda's illustrations pay homage to John Tenniel's artwork, while providing a fresh look at the story and offering details that add greatly to the reading experience. The events unfold in six glorious spreads, each featuring a large pop-up and a narrow booklet that opens into several pages containing the text as well as additional pop-ups. The first scene depicts Alice and her sister on the riverbank, and the faces of several Wonderland characters are camouflaged among the background trees. A pull-up panel provides a "Victorian peep show" view of Alice falling down the rabbit hole. Throughout, shiny foils highlight items such as pots and pans, and felt adds textured detail to the Cheshire Cat and other fuzzy animals. A movable inset transforms the face of the Duchess's offspring from a baby's to a pig's. As a page is turned, a gardener raises his paintbrush and a piece of cellophane changes a white rose to red. In the final spread, a frightened Alice waves her arms beneath a delicate arch of cards. In addition to pulling off feats of paper engineering, the artist also manages to create compositions that provide an eye-pleasing balance of colors, shapes, and action. Much too delicate to circulate, libraries may still want to purchase this book for displays and just for showing off.-Joy Fleishhacker, School Library Journal Copyright 2003 Reed Business Information.
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